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You can use After Effects to convert one kindof video to another. When converting video, keep in mind the followingguidelines:

  • Changes in resolution may result in aloss of picture clarity, especially when up-converting from a standard-definitionformat to a high-definition format.

  • Changes in frame rate may require the use of frame blendingto smooth out the interpolated frames. For longer footage items,the use of frame blending can result in very long render times.

  1. Import the footage you’re converting into a compositionusing the preset of the format you’re converting to. Example: ifyou’re converting NTSC to PAL, add your NTSC footage item to a compositionwith the appropriate PAL composition settings preset.
  2. Select the layer with the footage to be converted andchoose Layer > Transform > Fit To Comp Width (or Fit To CompHeight).

    Note:

    For converting between two formats with the same frameaspect ratio, either of these two Fit commands does the same thing;if the frame aspect ratios differ (for example, going from 4:3 to16:9), fitting to width or height chooses between cropping or letterboxingthe resulting image.

    • If your footage has no scene cuts, chooseLayer > Frame Blending > Pixel Motion. Pixel Motion providesthe best results for interpolation of frames, but may require longrendering times.

    • If your footage has scene cuts, or if you want tosacrifice quality for shorter rendering times, choose Layer >Frame Blending > Frame Mix.

  3. In the Render Queue panel, next to Render Settings, choosethe appropriate preset from the menu. For example, if you’re convertingto DV footage, select DV Settings from the menu.
  4. In the Render Queue panel, next to Output Module, choosethe appropriate output module preset from the menu, or choose Customto enter custom settings. For example, if you’re converting to DVPAL, choose the D1/DV-PAL output module preset with the audio samplingrate that you require.
  5. Click the name of the output module preset that you chosein step 6 to select additional Format Options.
  6. Specify a name and destination for the output file usingthe controls to the right of the Output To heading in the RenderQueue panel. (See Specify filenamesand locations for rendered output.)
  • Mar 11, 2011  I have after effects CS4 and I want to convert the video so I can put it on youtube etc. Is ther anyway of doing this. How do you covert an after effects file to mp4? You must choose a nice video converter.( I use the aneesoft video converter, It is fast andeasy!)the, you can search a tutorial from their website.
  • SWF Export Options SWF (pronounced swiff) is a format that, like PDF, can be used for the presentation of the entire InDesign file, with transitions from page to page. In addition to the movies, sounds, and buttons found in PDF files, SWF files (commonly called Flash files) can contain the animations of page items from InDesign.

Convert DV footage from PAL toNTSC using pulldown

Because After Effects can easily convert film(24 fps) to video (29.97 fps) using 3:2 pulldown, you can performa clean PAL-to-NTSC transfer by setting up 25-fps PAL video to actlike 24-fps film. This lets you apply 3:2 pulldown to the footagewhen converting to 29.97 fps. This technique works especially wellfor progressive (noninterlaced) PAL video.

  1. Create a new composition with the DV NTSC or DVNTSC Widescreen preset.
  2. Import your DV PAL footage into the new composition.
  3. Select the layer with the DV PAL footage, and chooseLayer > Transform > Fit To Comp Width (or Fit To Comp Height).
    • To preserve audio synchronization but slightlylower the pitch, choose Layer > Time > Time Stretch, and thenenter 95.904 in the Stretch Factor box.

    • To preserve audio pitch but not synchronization,or for clips without audio, right-click (Windows) or Control-click(Mac OS) the footage item in the Project panel, select InterpretFootage > Main, select Conform To Frame Rate, and then enter 23.976 inthe Conform To Frame Rate box.

  4. In the Render Settings pane, enable Field Rendering (choosethe field order required by your output type), select any optionfrom the 3:2 Pulldown menu, and then click OK.
  5. Choose the output type from the Render Queue Output Modulemenu (for example, Microsoft DV NTSC 32 kHz).
  6. Specify a name and destination for the output file usingthe controls to the right of the Output To heading in the RenderQueue panel. (See Specify filenamesand locations for rendered output.)

Convert to wmv - Creative COW's user support and discussion forum for users of Adobe After Effects. - Adobe After Effects Forum. In this way even an.mov file can.

Several methods exist for producing a reduced-size moviefrom your composition, each with tradeoffs between speed and quality:

Create a new composition at the smaller dimensions, and nestthe large composition inside it. For example, if you create a 640x480 composition,place it in a 320x240 composition. Use the Fit To Comp command toscale the composition to fit the new smaller composition size: PressCtrl+Alt+F (Windows) or Command+Option+F (Mac OS), and then collapsetransformations by choosing Layer > Switches > Collapse. Theresulting composition rendered at full resolution and best qualitywill have excellent image quality, better than if you had renderedusing a reduced resolution.

This method produces the highest quality reduced-size movie but is slower than nesting. For example, if you create a 640x480 composition and render it at full resolution, you can set the Resize value in the Output Module Settings dialog box to 50% to create a 320x240 movie. For a composition rendered at full resolution, the image quality is excellent when the Resize Quality is set to High.

Note:

Do not use resizing to change the vertical dimensions of a movie when field rendering is on. Resizing vertically mixes the field order, which distorts motion. Use either cropping or composition nesting if you need to vertically resize a field-rendered movie.

This method is ideal for reducing the size of a movie by a few pixels. Use the Crop options in the Output Module Settings dialog box. Remember that cropping cuts off part of the movie, so objects centered in the composition may not appear centered unless the movie is cropped evenly on opposite edges.

Note:

In some special cases, After Effects will automatically crop rather than scale when creating an output movie with dimensions that don’t match the dimensions of the composition. For example, when creating a 720x480 movie with a pixel aspect ratio of 0.91 or 1.21 from a 720x486 composition, After Effects will crop instead of scale.

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To render just a portion of the composition frame, define a region of interest in the Composition panel. Then, select the Region Of Interest option in the Output Module Settings dialog box before rendering. (See Region of interest (ROI).)

Note:

Cropping an odd number of pixels from the top of a field-rendered movie reverses the field order. For example, if you crop one row of pixels from the top of a movie with Upper Field First field rendering, the field-rendering order then becomes Lower Field First. Remember that if you crop pixels from the top of the movie, you need to add to the bottom row of the movie to maintain the original size. If you don’t mind losing one scan line, this technique gives you a way to output two movies from one render, each with a different field order.

This method is the fastest for creating reduced-size movies. For example, if you create a 640x480 composition, you can set the composition resolution to one half, reducing the size of the rendered composition to 320x240. You can then create movies or images at this size. The reduced resolution reduces the sharpness of the image and is best used for creating preview or draft movies.

Note:

When rendering at reduced resolution, set the quality of the composition to Draft. Rendering at Best quality while reducing resolution does not produce a clean image and takes longer to render than rendering at Draft quality.

Increasing the size of the output from a rendered compositionreduces the image quality of a movie and is not recommended. Ifyou must enlarge a movie, to maintain highest image quality, enlargea composition that was rendered at full resolution and highest qualityusing one of the following methods:

Create a new composition at the larger dimensions and nest the smaller composition inside it. For example, if you create a 320x240 composition, you can place it in a 640x480 composition. Resize the composition to fit the new larger composition size, and then collapse transformations by choosing Layers > Switches > Collapse. The resulting composition rendered at full resolution and best quality will have better image quality than if you had resized the movie. However, this method also renders slower than if you created a composition and resized it.

Note:

To create a draft movie with specific dimensions, use both the Resize option and reduced resolution in the rendered composition.

For example, if you create a 320x240 composition and render it at full resolution, you can set the Resize value in the Output Module Settings dialog box to 200% to create a 640x480 movie. For a composition rendered at full resolution, the image quality is usually acceptable.

Note:

Do not use resizing to change the vertical dimensions of a movie with field rendering. Resizing vertically mixes the field order, which distorts any motion. Use either cropping or composition nesting if you need to vertically resize a field-rendered movie.

To enlarge a movie by a few pixels, increase the size using negative values for the Crop options in the Output Module Settings dialog box. For example, to increase the size of a movie by 2 pixels, enter –2 in the Cropping section of the Output Module Settings dialog box. Remember that negative cropping adds to one side of a movie, so objects originally centered in the composition may not appear centered when the movie is cropped.

Note:

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Addingan odd number of pixels to the top of a field-rendered movie reverses thefield order. For example, if you add one row of pixels to the topof a movie with Upper Field First field rendering, the field-renderingorder then becomes Lower Field First. Remember that if you add pixelsto the top of the movie, you need to crop from the bottom row ofthe movie to maintain the original size.

Note:

Adobe Photoshop provides fine control over resamplingmethods used for scaling of images. For fine control of resampling,you can export frames to Photoshop to change the image size andthen import the frames back into After Effects.

For a list of plug-ins that provide high-quality scaling—includingsome designed to create high-definition images from standard-definitionsources—see the Toolfarm website.

For a script that scales multiple compositions simultaneously,see the AE Enhancers forum.

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Create a composition and rendersource footage items simultaneously

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You can simultaneously create a compositionfrom source footage and prepare it for rendering. This process isuseful when you want to change some characteristic of the sourcefootage, such as frame rate or compression method, and have thatrendered version available in your project.

  1. Drag one or more footage items from the Projectpanel to the Render Queue panel, or select the footage items inthe Project panel and do one of the following:
    • Choose Composition > Add to Render Queue.

    • Press Ctrl+Shift+/ or Ctrl+M(Windows) or Command+Shift+/ or Command+M (Mac OS).

    Note:

    If the Use System Shortcut Keys option is enabled in General preferences (Mac OS), the shortcut is Ctrl+Cmd+M.

  2. After Effects creates both a new item in the render queueand a new composition in the Project panel for each footage item.
  3. Adjust the render settings as desired, and click Render.

If you are creating output for film that’sbeen transferred to video, or if you want to simulate a film lookfor animation, use 3:2 pulldown. Footage items that were originallyfilm transferred to video and had 3:2 pulldown removed when importedinto After Effects can be rendered back to video with 3:2 pulldown reintroduced.You can introduce 3:2 pulldown by choosing one of five different phases.(See Remove3:2 or 24Pa pulldown from video.)

Note:

It is importantto match the phase of a segment that had 3:2 pulldown removed ifit will be edited back into the video footage it came from.

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  1. In the Render Queue panel, select the render itemand then click the underlined text next to the Render Settings heading.
  2. Select other settings as appropriate, and then clickRender.

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Chris and Trish Meyer provides an overview of 3:2 pulldownin an article on the Artbeats website.

When you render a composition containing separatedfootage, set the Field Rendering option to the same field orderas your video equipment. If you field-render with the incorrectsettings, the final movie may appear too soft, jerky, or distorted.A simple test can determine the order in which your video equipment requiresfields.

Note:

The field order might get altered if you changethe hardware or software of your production setup. For example,changing your device control software or VCR after setting the fieldorder can reverse your fields. Therefore, any time you change yoursetup, test the field-rendering order.

The test takes about15 minutes and involves creating two movie versions of the samecomposition (one rendered with Upper Field First and one with LowerField First), and then playing the movies to see which choice looksright.

  1. Create a simple composition with the correct framesize and frame rate. Choose an NTSC or PAL preset in the CompositionSettings dialog box, and make the composition at least 3 secondslong.
  2. Within the composition, make a layer that is a smallrectangular solid. The layer can be any color as long as it contrastssharply with the composition background. You may want to add a title(such as “Upper Field First”) to the solid to make identificationof the movie easier.
  3. Apply some fast movement to the solid using keyframesin its Position property. Set keyframes from the upper-left of theComposition panel to the lower-right for 1 second.
  4. Save the project, and then drag the composition to theRender Queue panel.
  5. Click the underlined Render Settings name, and then chooseUpper Field First from the Field Render menu.
  6. Click OK, and then click Render to make the movie.
  7. In the composition, change the color of the solid inthe Composition panel, and add a new title, such as “Lower FieldFirst”, to identify it.
  8. Render the composition again, choosing Lower Field Firstfrom the Field Render menu in the Render Settings dialog box.
  9. One movie will look distorted and have jumpy horizontalmotion or shape distortion during vertical motion. The other moviewill play back smoothly, with sharply defined edges. Use the fieldorder for the smooth-playing movie whenever you render movies withthat particular hardware configuration.

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